Solid DM from start to finish. Nice to see this group getting the attention that they rightfully deserve. My main gripe is that I wish that it could have been a lengthier release. Quit reading reviews and buy this now! Cheers from Colorado, and I hope to see you here someday!
Favorite track: Accelerative Phenomenae.
July 11- Detroit, MI (Sanctuary)
July 12- Chicago, IL (Cobra)
July 13- Lexington, KY (Cosmic Charlie’s, Clairvoyance fest) *no superstition
July 14- Atlanta, GA (529)
July 15- Raleigh, NC (The Maywood)
July 16- Richmond, VA (Gallery 5)
July 17- Washington DC (Atlas Brew Works)
July 18- Boston, MA (Once)
July 19- Philadelphia, PA (Kung Fu Necktie)
July 20- Pittsburgh, PA (Cattivo)
July 21- Brooklyn, NY (Saint Vitus)
Aug 16-18 Psycho Las Vegas
September - Europe / UK w/ Ritual Necromancy, Of Feather & Bone
Recklessly devouring the world into a vortex of alternate dimensional planes with ‘Manor Of Infinite Forms’, Tomb Mold has crashed through boundaries with the impact of an ocean sized asteroid. Somewhere between outer space, inner space and the unseen dark matter in between all space they’ve devised an alchemical formula both crushingly oppressive and rapidly expanding outward in every direction.
Waking from stasis for the third time in three years, new record ‘Planetary Clairvoyance’ is the sum total of knowledge gained and aeons absorbed, concentrated into a single massive tome of arcane wisdom and implausible physics. Like the album’s cover art, it exists in a domain of alien anatomical abnormality, malign flora and cold void desolation, warping and deforming the familiar into unknown obscurity.
Tracked in Canada and then mixed and mastered by Arthur Rizk once again, the amalgamation of the huge sound of ‘Manor Of Infinite Forms’ and the gritty particle chaos of ‘Primordial Malignity’ come into boundless unity on ‘Planetary Clairvoyance’. With the explosive weight of a collapsing black hole Tomb Mold accelerate unhinged toward infinite resurrection.
released July 19, 2019
Recorded by Sean Pearson. Mixed & Mastered by Arthur Rizk. Cover painting by Jesse Jacobi with additional art by Lucas Korte.