Extremely Fucking Dead

by Extremity

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Matthew Toye
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Matthew Toye Delightful in an ugly, putrid kind of way. It should've been called 'Extremely Fucking Awesome'. Cheesy I know but you need to acquire this post haste. One of 2017's finest releases. Favorite track: Chalice Of Pus.
Alejandro Omidsalar
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Alejandro Omidsalar This band has riffs for days. Plus, Marissa Martinez-Hoadley of CRETIN fame is growling with the best of 'em on this record. A contender for best death metal release of 2017. Favorite track: Crepuscular Crescendo.
tim mills
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tim mills With this lineup the album was always going to be good. But more than anything else it's FUN - in the same way that the last albums from VHÖL and Hammers of Misfortune were. The Bay Area produces the goods once again. Favorite track: Crepuscular Crescendo.
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about

Gestating in the twisted bowels of the Bay Area for six years, only now, in 2017, has Extremity dislodged itself from the musty climes of obscurity to contaminate the American Death Metal cesspool. Like a jaundiced plume drifting up from a fetid swamp, on ‘Extremely Fucking Dead’ the four-piece infect Death Metal with odiously oozing intentions.

From the grisly Gore Metal of ‘Crepuscular Crescendo’ to the Bolt Thrower ravaged plunder permeating ‘Bestial Destiny’, Extremity present a simultaneously studied and loosely devastating specter of Death Metal cited from the genre’s many epicenters in America, Scandinavia, the UK and beyond.

The veteran lineup of Shelby Lermo (Vastum), Aesop Dekker (Worm Ouroboros, Ludicra, Agalloch), Marissa Martinez-Hoadley (Cretin, Repulsion) and Erika Osterhout (Necrosic, Scolex, Trepanation) stirs the salaciously sanguine Death and Grind sewage on ‘Extremely Fucking Dead’ to a crepitating clamor of cacophonous cruelty. 20 Buck Spin gruesomely presents ‘Extremely Fucking Dead’ for worldwide repugnance and revulsion.

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released April 7, 2017

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